I’ve been mapping out my outline to Books 2 and 3 of the novel and having great fun doing it. After I got all the basic plot points down that I felt needed covering, I went back through and looked at:
- Motivations
- Plot Twists
- Flow and Dramatic Sequence
Let me elaborate on these three points (which just so happen to be very much interrelated). After I’ve laid out the basic plot, I like to go back through with each major character to ensure that something is driving them through the story. I don’t want them to just be “along for the ride.” Then, I look for strong “gotcha” moments. In a sense, many of these moments were built in from the beginning; they’re almost the reason for the story. But in many cases, I can find additional moments that, ideally, even surprise me as I write them (and give me that “yes!” feeling). In some cases, these new plot twists derive directly from my work on character motivations. And finally, I go back through looking at the flow of the story and it’s dramatic tension (as a result of sequence). I need to not only ensure that I reveal the right information and resolve the proper issues in the order best for the story, but I need to make sure that the story flows properly from group to group, character to character, giving appropriate time to each.
And now, on to the prose!
It’s fascinating how you consider motivations, plot twists and dramatic sequence when outlining your novel.